We would like to warmly thanks Dr Vilasnee TAMPOE-HAUTIN, Senior Lecturer at université de La Réunion (France) and member of Centre des Recherches Littéraires et Historiques de l’Océan Indien (CRLHOI), to publish in our website her article intitled "Cinema in mainstream and minority contexts: From Samuthayam (1960) to Ponmani (1978) The Plight of Sri Lanka’s Tamil film industry". The author wishes to indicate that the titles, release years and the names of the directors of Tamil films produc..
In post-war Sri Lanka, Sinhala cinema is all about triumphal cultural nationalism. What options does...
My thesis identifies and establishes the Multiplex Film as a widespread paradigm in contemporary Ind...
The star machinery of Tamil cinema presents itself as a nearly unfathomable system that produces sta...
We would like to warmly thanks Dr Vilasnee TAMPOE-HAUTIN, Senior Lecturer in British and Commonwealt...
Hitherto, the academic study of Indian cinema has focused primarily on Bollywood, despite the fact t...
Within the context of ambiguous Indo-Sri Lankan relations, I seek to probe the question of cinema as...
MALAYALAM CINEMA FROM POLITICS TO POETICSINDIA IS the leading producer of films in the world with ov...
The subject of subalternity with its innate consequences is yet to discover support among movie prod...
TAMIL cinema in Sri Lanka, it may be argued, is yet to grow beyond its nascent stage. While thousand...
This paper argues that the ‘Tamil-ness’ of Tamil cinema was not based on any fixed linguistic identi...
Linguists claim that “Tamil” is the most ancient of the languages spoken in the world, and it is lan...
India is the largest film producing country in the world and its output has a global reach. After ye...
from the back cover to the first edition... Sri Lanka: The National Question and the Tamil Liberatio...
A new website has been created on the life and times of Sri Lankan filmmaker of Tamil origin, and on...
This essay will begin by exploring the trauma of a postcolonial Tamilnadu and how it affects its tre...
In post-war Sri Lanka, Sinhala cinema is all about triumphal cultural nationalism. What options does...
My thesis identifies and establishes the Multiplex Film as a widespread paradigm in contemporary Ind...
The star machinery of Tamil cinema presents itself as a nearly unfathomable system that produces sta...
We would like to warmly thanks Dr Vilasnee TAMPOE-HAUTIN, Senior Lecturer in British and Commonwealt...
Hitherto, the academic study of Indian cinema has focused primarily on Bollywood, despite the fact t...
Within the context of ambiguous Indo-Sri Lankan relations, I seek to probe the question of cinema as...
MALAYALAM CINEMA FROM POLITICS TO POETICSINDIA IS the leading producer of films in the world with ov...
The subject of subalternity with its innate consequences is yet to discover support among movie prod...
TAMIL cinema in Sri Lanka, it may be argued, is yet to grow beyond its nascent stage. While thousand...
This paper argues that the ‘Tamil-ness’ of Tamil cinema was not based on any fixed linguistic identi...
Linguists claim that “Tamil” is the most ancient of the languages spoken in the world, and it is lan...
India is the largest film producing country in the world and its output has a global reach. After ye...
from the back cover to the first edition... Sri Lanka: The National Question and the Tamil Liberatio...
A new website has been created on the life and times of Sri Lankan filmmaker of Tamil origin, and on...
This essay will begin by exploring the trauma of a postcolonial Tamilnadu and how it affects its tre...
In post-war Sri Lanka, Sinhala cinema is all about triumphal cultural nationalism. What options does...
My thesis identifies and establishes the Multiplex Film as a widespread paradigm in contemporary Ind...
The star machinery of Tamil cinema presents itself as a nearly unfathomable system that produces sta...